BEGIN:VCALENDAR VERSION:2.0 PRODID:-//132.216.98.100//NONSGML kigkonsult.se iCalcreator 2.20.4// BEGIN:VEVENT UID:20250801T144421EDT-4065d6Ccd9@132.216.98.100 DTSTAMP:20250801T184421Z DESCRIPTION:The Flâneur in South Asia: A Poetic Long Walk Through the Globa l Sixties and Cultural Cold War\n \n Moinak Banerjee\n English\, 9IÖĆ×÷ł§Ăâ·Ń\n \n Th e flâneur appearing as a strolling spectator who registers the vagaries of urban life became a ubiquitous figure of modernism following Walter Benja min’s reading of Charles Baudelaire’s poetry in the Arcades Project. This talk draws on and distends such a theorization of modernism\, addresses it s limitations on a world scale\, and situates two very different instantia tions of the flâneur in South Asia. Specifically\, it brings into conversa tion two long poems—an Anglophone text\, Arun Kolatkar’s Jejuri (1976) and a Hindi text\, Gajanan Madhav Muktibodh’s Andhere Mein (1964)—to demonstr ate how they act as specific forms of literary engagement with modernism. Kolatkar draws on the Marathi Bhakti or devotional poetry tradition to dep ict his flâneur’s journey into a sacred Hindu pilgrimage site that is secu larized through a modernist vision. Unlike the Baudelairean flâneur who is an out-of-place witness in metropolitan centres\, Kolatkar’s flâneur is f ar more conditioned to the rural and suburban spaces that he encounters de spite being an urban middle class subject. On the other hand\, Muktibodh’s flâneur walks at night in a cityscape mediated through an interior monolo gue. The text begins with mythologizing the mundane and ends with a vision of an impending rebellion hinting at the radicalization of a middle-class subject. Despite their overlapping influences\, Kolatkar and Muktibodh\, represent two very different ideological positions in modernism. Kolatkar bypasses most political issues of his time and chooses to focus on a certa in aesthetics of modernism. But he published widely in Quest – a literary magazine later discovered to be funded by the CIA for countering the growi ng influence of communism in South Asian vernacular cultures during the Co ld War. Conversely\, Muktibodh never hides his political commitment in aes thetic engagement. This is also reflected in the text\, as it brings toget her disparate world historical and local events of the time—particularly\, the Sino-Soviet split\, the Vietnam war\, and the dual split in the India n communist party.\n DTSTART:20250212T200000Z DTEND:20250212T220000Z LOCATION:Room 116\, Peterson Hall\, CA\, QC\, Montreal\, H3A 0E6\, 3460 rue McTavish SUMMARY:IOWC Winter Speaker Series - Moinak Banerjee URL:/history/channels/event/iowc-winter-speaker-series -moinak-banerjee-362842 END:VEVENT END:VCALENDAR