BEGIN:VCALENDAR VERSION:2.0 PRODID:-//132.216.98.100//NONSGML kigkonsult.se iCalcreator 2.20.4// BEGIN:VEVENT UID:20250817T055433EDT-1632zA9coU@132.216.98.100 DTSTAMP:20250817T095433Z DESCRIPTION:Making Art in the Light and Shadow of Historical Trauma\n Tamar Garb (Durning Lawrence Professor of History of art and Director of the Ins titute of Advanced Studies\, University College London)\n \n Abstract: My pa per explores the role of selected artworks in addressing the historical tr auma of ‘race’. Focussing on three works by South African artists Santu Mo fokeng\, Zaneli Muholi and Berni Searle\, I explore the ways in which thei r art complicates identitarian politics by staging ‘selves’ that are forma lly and psychically inflected by posited ‘others’. By placing themselves i n a relationship of ‘sympathy’ with strangers\, these artists dislodge the sage boundaries and secure separations that legislated difference entails . They offer neither therapeutic redress nor reparation for past injury bu t instead provide a poetic space for working through and questioning ongoi ng separation and suffering.\n \n Bio: Tamar Garb is Durning Lawrence Profes sor in the History of Art and Director of the Institute of Advanced Studie s at University College London. Her research interests have focused on que stions of gender and sexuality\, the woman artist and the body in nineteen th and early twentieth century French art and she has published extensivel y in this field. Key books in this area include Sisters of the Brush (1994 )\, Bodies of Modernity (1998) and The Painted Face (2007). Her interests have turned recently to post-apartheid culture and art in South Africa as well as the history of photographic and lens-based practices in Africa and she has curated a number of international exhibitions including Figures a nd Fictions: Contemporary South African Photography (Victoria & Albert Mus eum\, London 2011)\, Distance and Desire: Encounters with the African Arch ive (Walther Collection: New York\, Ulm and Berlin. 2014-2015) and William Kentridge and Vivienne Koorland: A Conversation in Letters and Lines (Fru itmarket Gallery Edinburgh\, 2016). She is an art critic who has written o n many contemporary artists including Mona Hatoum\, Nancy Spero\, Marlene Dumas\, Zanele Muholi\, Sabelo Mlangeni and Santu Mofokeng.\n DTSTART:20190401T200000Z DTEND:20190401T220000Z LOCATION:W-215\, Arts Building\, CA\, QC\, Montreal\, H3A 0G5\, 853 rue She rbrooke Ouest SUMMARY:Speaker Series | Tamar Garb 'Making Art in the Light and Shadow of Historical Trauma' URL:/ahcs/channels/event/speaker-series-tamar-garb-mak ing-art-light-and-shadow-historical-trauma-292791 END:VEVENT END:VCALENDAR