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UID:20251128T071705EST-7479rPp5DB@132.216.98.100
DTSTAMP:20251128T121705Z
DESCRIPTION:(University of Toronto)\n\nWith generous funding from the Andre
 w W. Mellon Foundation\n\nVicarious painting and ludic visual projection\n
 	How can an amateur mentally transform pigments on a palette into a finishe
 d painting and then return them to their original state as pigment on a pa
 lette? Anton Francesco Doni posed this unlikely question in I Marmi (Venic
 e\, 1552).  In doing so\, he invented a new kind of creative viewing where
  vicarious painters collaborate with and reconfigure paintings. As amateur
 s became more curious about the secrets of painters' studios -- the materi
 als\, tools and techniques that 'miraculously' turned pigment into flesh -
 - a new type of art manual was invented to teach amateurs to draw.  Concur
 rently painters began to represent palettes and paintings in the studio on
  their easels in ways that would prompt viewers to imagine using palettes 
 and brushes to complete unfinished paintings. The consequences in the late
 r 16th- and 17th-centuries of this new role of viewer as painter is the su
 bject of this lecture. Various types of psychologized visuality will be in
 troduced\, including visual agnosia and the projective phenomenon of parei
 dolia\, as a means to interpret early-modern self-portraits\, allegories o
 f painting\, and scenes of painters' studio. Concluding remarks on indeter
 minacy and the heuristics of confusion will be offered.\n\n \n
DTSTART:20171102T200000Z
DTEND:20171102T223000Z
LOCATION:W-215\, Arts Building\, CA\, QC\, Montreal\, H3A 0G5\, 853 rue She
 rbrooke Ouest
SUMMARY:Speaker Series | Philip Sohm 'Vicarious painting and ludic visual p
 rojection'
URL:/ahcs/channels/event/speaker-series-philip-sohm-vi
 carious-painting-and-ludic-visual-projection-269329
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